Friday, July 18, 2014

Snowpiercer/22 Jump Street

Snowpiercer is a film that has gotten almost universally positive reviews (here's an example) but pretty much fails on every level for me. It's also tremendously odd and constantly veers between trying to be a super-intense action film and a cartoony satire. While there are elements that almost work (particularly on the satire side), the constant whipping back and forth in tone ended up ruining the whole thing. The 'serious' dialog is cringingly bad, and the acting is all over place - particularly in the more 'emotional' and 'intense' scenes. Given how farcical some of the satire is I almost suspected this might have been some big meta-commentary as well, but the last scene indicates that the filmmaker's intent was all too serious.

Obviously I'm in the minority here, but the whole thing is just a fiasco. Cabin in the woods did the mix of action and satire much more effectively. All that said, it is a really weird film, and its sort of amazing that it even got made. As a result I can't completely dismiss it but I can't see ever watching it again. (Though if you see it don't even start thinking about the plot, no part of it really makes sense).

22 Jump Street on the other hand is pretty much what I expected. Overly long, not all the jokes hit, but it works way better than it has any right to. The chemistry between Hill and Tatum is still fun, and the film definitely does not take itself too seriously. I don't need to see any more installments (and thankfully the film seems to agree), but the filmmakers deserve a lot of credit for getting two pretty entertaining films out of a really thin premise.

Monday, July 7, 2014

The Immigrant

Saw this before taking off for a couple weeks (world cup yo) so my impressions are a little foggy. This review calling it the greatest american film in years piqued my interest (especially because the AV club usually hates everything), but ultimately The Immigrant is probably going to end up being a film I respect but will probably never watch again. It looks great, and is impressively committed to sticking to its world, but I did feel that the 'metaphor' sign was flashing a little too brightly by the end (if the acting wasn't so solid it would have tipped into melodrama at around the midway point). Still, its a solidly made, ambitious film that is worth checking out. It may not redefine american cinema, but at least it makes the effort to be interesting.